-

värikirjallisuutta - pigmentit, taide

Tällä sivulla luetellaan pigmentteihin ja väriaineisiin tavalla tai toisella liittyviä kirjoja, joita löytyy suomalaisista kirjastoista tai kirjakaupoista tai jotka on suhteellisen helppo tilata nettikirjakauppojen, esim. Amazonin (US, UK) kautta. Punaisella merkittyjä on käytetty myös Coloria-sivuston lähteenä.

Katso myös:
kirjallisuus ajanlaskun alusta 1500-luvulle, 1600-luku, 1700-luku, 1800-luku, 1900-luvun alku
väriteoriaan liittyvä kirjallisuus, värjäämiseen ja värjäyskasveihin liittyvä kirjallisuus, väriterapiakirjallisuus, värien havainnointiin liittyvä kirjallisuus, kieli, etymologia, historia, kulttuurihistoria ja kulttuuriantropologia, artikkeleita, + (väreihin liittyvät)

Katso myös: värit+värjäys / kulttuurit




Allen, Sam Classic Finishing Techniques. Sterling Publishing, New York 1994
Artist's Pigments A Handbook of their History and Characteristics. National Gallery of Art, Washington D C 1986
Artists' Pigments A Handbook of Their History and Characteristics. Oxford University Press 1997

Baxandall, Michael Painting and Experience in Fifteenth-Century Italy. Oxford University Press 1972
Bentley, K The Natural Pigments. Interscience, New York 1960
Birren, Faber The history of color in painting. Van Nostrand Reinhold Inc, New York 1964
Blanchard, R W Graphic Design. Prentice-Hall, Englewood Cliffs 1984
The Book and Paper Annual 13 - 1994
· Burandt, J An Investigation Toward the Identification of Traditional Drawing Inks
Brightman F H & Laundon J R Alternatives to lichen dyes. 1985
Bristow, Ian C Ready Mixed Paint in the Eighteenth Century (Architectural Review 963 April - 1977)

Carlyle, LA A critical analysis of artist's handbooks, manuals, and treatises on oil painting published in Britain between 1800-1900: With reference to selected eighteenth century sources. Väitöskirja, Cambridge University 1991
Carlyle, L & Townsend, J An investigation of lead sulfide darkening of 19th century painting materials. Dirt and pictures separated preprints. United Kingdom Institute of Conservation, Lontoo 1990
Carlyle, L & Townsend, J & Burnstock, A & Odlyha, M & Boon, J 19th-century paint media. Part I, The formulation and properties of megilps. IIC preprints: Painting techniques: History, materials and studio practice. International Institute for Conservation of Historic and Artistic Works, Dublin 1998
Centre National de la Recherche Scientifique Pigments et colorants de l'Antiquit et du Moyen ge. Pariisi 1990
Clark & Cridland & Kariuki & Harris & Withnall Synthesis, Structural Characterization and Raman-Spectroscopy of The Inorganic Pigments Lead-Tin Yellow Type-I and Type-II and Lead Antimonate Yellow - Their Identification on Medieval Paintings and Manuscripts. Journal of the Chemical Society-Dalton Transactions, 1995
Czuan, F-C Pigments in Plants. Fischer, Stuttgart 1980

Dalby, Gill & Christmas, Liz Spinning & Dyeing. David & Charles, Lontoo 1987
Doerner, Max Maaliaineet ja niiden käyttö taidemaalauksessa. Tammi, Lounais-Suomen kirjapaino, Turku 1954. (Malmaterial und Seine Verwendung im Bilde. Englanninkielinen painos: The materials of the artist and their use in painting. Harcourt, Brace and Co, New York 1934)

Eastlake, Sir Charles Lock Methods and Materials of Painting of the Great Schools and Masters. Dover, New York 2001

Feller, R (ed) Artists' pigments: A handbook of their history and characteristics, vol. 1. National Gallery of Art, Washington, D C 1986
· Fitzhugh, E W Red lead and minium · Grissom, C A Green earth · Schweppe, H & Roosen-Runge, H Carmine: Cochineal carmine and kermes carmine
Field's manuscripts Early nineteenth century color samples and fading tests (Studies in Conservation XXIV 1979)
Fitzhugh, E W Artists' pigments: A handbook of their history and characteristics, vol. 3. National Gallery of Art, Washington D C 1997
· Schweppe, H Indigo and woad

Georgian Group Guide no 4, Paint Colour. Georgian Group, Lontoo 1991
Gettens, Rutherford J & Stout, George L Painting materials. Dover Books, New York 1966 [1. painos 1942]
Guptill, Arthur Leighton Color manual for artists. Reinhold Publishing, New York 1955

Harley, Rosamond D Artists' pigments c. 1600-1835. American Elsevier Publishing Co, New York 1970; myös Butterworth Scientific, Lontoo 1982
Hendry, G A F & Houghton, J D (ed.) Natural Food Colourants. Blackie, Glasgow 1992
Hill, Tom Color for the Watercolor Painter. Watson-Guptill, 1975
Hill, Tom The Watercolorist's Complete Guide to Color. North Light, 1998
Hurst, Tony Early Anglo-Norman Receipts for Colours (Journal of the Warburg and Courtauld Institutes 58 - 1995)

Identification of the materials of painting Ultramarine blue, natural and artificia (Studies in Conservation II 1956)

Johnston-Feller, R M & Bailie, C W (ed) Science and technology in the service of conservation. International Institute for Conservation of Historic and Artistic Works, Lontoo 1982 [Brommelle, N S & Thomson, G An analysis of the optics of paint glazes: Fading]

Jaxtheimer, Bodo W Suuri piirustus ja maalauskirja. WSOY, Porvoo/Helsinki 1961

Kaila, Panu Kevät toi maalarin: perinteinen ulkomaalaus. Kustantajat Sarmala, Helsinki 2000
Koskela, Kari Perinnemaalit ja puutalon rakenteellinen suojaus. Kopijyvä, Jyväskylä 2003
Kosvanek, Jim Transparent Watercolor Wheel. Watson-Guptill, 2000
Khn, H A Study of the Pigments and the Grounds used by Jan Vermeer. National Gallery of Art Report and Studies in the History of Art, 1968

Laar, Michel & Burnstock, Aviva With paint from Claus & Fritz: A study of an Amsterdam painting materials firm (1841-1931) (JAIC 1, 1997)
Lambert, Patricia Controlling Color: A Practical Introduction for Designers and Artists. Design, 1991
Lehrman, Lew Energize Your Paintings With Color. North Light 1993
Leland, Nita Exploring Color: How to Use and Control Color in Your Painting. North Light, 1998
Leland, Nita Exploring Color Coloring Book. Moonflower Books, 2000
Lewis, P (ed) Pigment Handbook. John Wiley & Sons, New York 1988

Marmion, D M Handbook of US Colourants for Foods, Drugs and Cosmetics. John Wiley and Sons, New York 1984
Martens, C (ed) Technology of paints, varnishes and lacquers. R E Krieger Publishing Company, New York 1974
Mayer, Ralph The artist's handbook. Viking Press, New York 1970
McLaren, Keith The colour science of dyes and pigments. Adam Hilger Ltd, Bristol 1983
Meder, J The Mastery of Drawing, Abaris Books, New York 1978
Merrifield, Mary P Medieval and Renaissance Treatises on the Arts of Painting: Original Texts with English Translations. Dover, New York 1999
Myers, RR & Long, JS Treatise on coatings, pigments. Marcel Dekker, New York 1975 [Dunn Jr, E J Lead pigments]

Nassau, K The Physics and Chemistry of Color. Wiley, New York 1983

Osborne, Roy Lights and pigments, colour principles for artists. Lontoo, 1980

Page, Hilary Guide to Watercolor Paints. Watson-Guptill, 1997
Pamer, T Modern Blue Pigments. Preprints, AIC Annual Meeting, Ft. Worth, Texas 1978
Parvey, Don The artists' colourmen's story. Reckitt and Colman Leisure Ltd, Englanti 1984
Pastoureau, Michel L'eglise et la couleur des origines a la reforme. Bibliotheque de l'Ecole des Chartes, vol. 147, 1989
Pastoureau, Michel L'Hermine et le sinopie. Pariisi, 1982
Patton, TC (ed) Pigment handbook, properties and economics. John Wiley and Sons, New York 1973 [Dunn, Jr, E J White hiding lead pigments]
Plesters, Joyce Cross sections and chemical analysis of paint samples (Studies in Conservation II 1956)

Rebora, Giovanni (ed) Un Manuale di Tintoria del Quattrocento. Universit degli Studi di Genova, Istituto di Storia Economica, 3. Multa Paucis, A. Giuffr Editore, Milano 1970
Richter, Ernst Ludwig & Harlin, Heide A nineteenth century collection of pigments and painting materials. Studies in Conservation XIX 1974
Richter, Ernst Ludwig & Heide Harlin A nineteenth century collection of pigments and painting materials (Studies in Conservation XIX 1974)
Riederer, J Infrarotspektrographische Untersuchung der gelben und roten Eisenoxidpigmente (Deutsche Farben-Zeitschrift 23, 1969)
Rodwell, Jenny Watercolorist's Guide to Mixing Colors. North Light, 1997
Rosenfeld, A The Inorganic Raw Materials of Antiquity
Roy, A Artists' pigments: A handbook of their history and characteristics, vol. 2. National Gallery of Art, Washington D C 1993 [Gettens, R J & Fitzhugh, E W & Feller, R L Calcium carbonate whites | Gettens, R J & Fitzhugh, E W Azurite and blue verditer | Gettens, R J & Fitzhugh, E W & Chase, W T Vermilion and Cinnabar] Roy, A & Smith, P (ed) Preventive conservation: Practice, theory, and research. International Institute for Conservation of Historic and Artistic Works, Lontoo 1994 [Saunders, D & Kirby, K Wavelength-dependent fading of artists' pigments]

Salemme, Lucia Color Exercises for the Painter. Watson-Guptill, 1979
Salonen, H & Pohjola, J & Priha, E Kuvataiteilijan työsuojeluopas. Kustannus Oy Taide, 1994
Sarback, Susan Capturing Radiant Color in Oils. North Light, 2000
Schlemm, Betty Lou Painting Color: Best of Watercolor. Rockport, 1998
Schwarz, Hans Colour for the Artist. Watson-Guptill, 1968
Schweizer, F & Mühletaler, B Einige Grüne und Blaue Kupferpigmente (Farbe und Lack, 74 1968)
Schweppe, H Handbuch der Naturfarbstoffe: Vorkommen, Verwendung, Nachweis. Landsberg/Lech, 1993
Stern, Arthur How to see color and paint it. Watson-Guptil Publications, New York 1984
Stössel, I Rote Farblacke in der Malerei - Herstellung und Verwendung im deutschsprachigen Raum zwischen ca. 1400-1850. Publikationsreihe des Instituts fr Malerei Stuttgart 1985
Szabo, Zoltan Color-by-Color Guide to Watercolor. North Light, 1998

Thomas, Anne Wall Colors From the Earth. Van Nostrand Reinhold, New York 1980
Thompson, J C Manuscripts Inks. The Caber Press, Portland, Oregon, 1996
Thompson, J [ed] Medieval Inks. Caber Press, Portland, OR 1996
Thompson, R H Naturally occurring quinones. Academic Press, New York 1971

van derWindt, H (ed) Proceedings, European Workshop on Iron-Gall Ink Corrosion. Museum Boijmans Van Beuningen, Rotterdam 1997
Vandiver, P B & muut (ed) Materials Issues in Art and Archeology IV, Materials Research Society Symposium Proceedings 123. Materials Research Society, Pittsburgh 1988
· Torres, L M Maya blue: How the Mayas could have made the pigment
Vandiver, P B & muut (ed) Materials Issues in Art and Archelogy IV, Materials Research Society Symposium Proceedings 352. Materials Research Society, Pittsburgh 1995
· Magaloni, D & Newman, R & Baos, L & Castao, V & Pancella, R & Fruh, Y An analysis of Mayan painting techniques at Bonampak, Chiapas, Mexico · Wallert, A On some natural organic yellow colorants in Aztec codices: The Florentine Codex
Van Wyk, Helen Color Mixing the Van Wyk Way: A Manual for Oil Painters. Art Instruction, 1995

Wallert, A Orpiment und Realgar. Maltechnik-Restauro 1984
Wehlte, Kurt Materials and techniques of painting. Van Nostrand Reinhold Inc, New York 1982
Wilcox, Michael Artist's Guide to Selecting Colors. North Light, 1997

Zollinger, Heinrich Color chemistry: Syntheses, Properties, and Applications of Organic Dyes and Pigments. VCH Publishers, 1987




[alla olevat aiheittain aikajärjestyksessä]

ANTIMONIKELTAINEN
1995 Clark & Cridland & Kariuki & Harris & Withnall Synthesis, Structural Characterization and Raman-Spectroscopy of The Inorganic Pigments Lead-Tin Yellow Type-I and Type-II and Lead Antimonate Yellow - Their Identification on Medieval Paintings and Manuscripts. Journal of the Chemical Society-Dalton Transactions 1995

ATSURIITTI
1966 Gettens, RJ & FitzHugh, EW Azurite and blue verditer (Studies in Conservation 11, 1966)
1993 Gettens, R J & Fitzhugh, E W Azurite and blue verditer [kirjassa Roy, A Artists' pigments: A handbook of their history and characteristics, vol. 2. National Gallery of Art, Washington D C 1993]

EGYPTINSININEN
1971 Chase, W T Egyptian Blue as a Pigment and Ceramic Material. [kirjassa Brill, RH Science and Archaeology. MIT Press, Cambridge 1971]
1975 Bayer, G & Wiedemann, HG Bildung und Stabilität von ägyptisch-Blau (Cuprorivait) (Naturwissenschaften 62 (2) 1975)
1976 Bayer, G & Wiedemann, HG ägyptisch Blau, ein synthetisches Farbpigment des Altertums, wissenschaftlich betrachtet (Sandoz-Bulletin 40, 1976)
1984 Tite MS, Bimson, M & Cowell, MR Technological Examination of Egyptian Blue [kirjassa Lambert, JB Archaeological Chemistry III. American Chemical Society, Washington DC 1984]
1997 Fitzhugh, EW (ed) Artists' Pigments. A Handbook of Their History and Characteristics, Vol. 3. Oxford University Press 1997
2003 Bradley, David Micro-Raman Reveals 'True Blue' (Today's Chemist At Work, January 2003)

ESPANJANVIHREä (verdigris, kupariresinaatit)
1970 Khn, H Verdigris and Copper Resinate (Studies in Conservation 15, 1970)

FTALOSYAANI-
1966 Knudsen, B I Copper Phthalocyanine: Infrared Absorption Spectra of Polymorphic Modifications (Acta Chem. Scand 20, 1966)

INDIRUBIINI
1910 Popplewell Bloxam, W & Perkin, AG Indirubin I (Journal of the Chemical Society 97, 1910)

KALKKIVALKOINEN
1993 Gettens, R J & Fitzhugh, E W & Feller, R L Calcium carbonate whites [kirjassa Roy, A Artists' pigments: A handbook of their history and characteristics, vol. 2. National Gallery of Art, Washington D C 1993]

KARMIINI / KERMES - kts.

KIINANSININEN, KIINANPURPPURA
2003 Bradley, David Micro-Raman Reveals 'True Blue' (Today's Chemist At Work, January 2003)

KUPARIPIGMENTIT
1968 Schweizer, F & Mühletaler, B Einige Grüne und Blaue Kupferpigmente (Farbe und Lack, 74)

LYIJYVALKOINEN
1973 Dunn, Jr, E J White hiding lead pigments [kirjassa Patton, TC (ed) Pigment handbook, properties and economics. John Wiley and Sons, New York 1973]

MAAVIHREä
1986 Grissom, C A Green earth. Kirjassa Feller, R: (ed) Artists' pigments: A handbook of their history and characteristics, vol. 1. National Gallery of Art, Washington, D C 1986

MAYASININEN
1962 Gettens, R J Maya blue: An unsolved problem in ancient pigments (American Antiquity 27, 1962)
1975 Arnold, D E & Bohor, B F Attapulgite and Maya blue: An ancient mine comes to light (Archaeology 28, 1975)
1988 Torres, L M Maya blue: How the Mayas could have made the pigment. Kirjassa: Vandiver, P B & muut (ed): Materials Issues in Art and Archeology IV, Materials Research Society Symposium Proceedings 123. Materials Research Society, Pittsburgh 1988
1990 Tagle, AA & Paschinger, H & Richard, H & Infante, G Maya blue: Its presence in Cuban colonial wall paintings (Studies in Conservation 35, 1990)
1996 Jos-Yacamn, M & Rendn, L & Arenas, J & Puche, M C S Maya blue paint: An ancient nonstructured material (Science 273, 1996)

MUSTE
van derWindt, H (ed) Proceedings, European Workshop on Iron-Gall Ink Corrosion. Museum Boijmans Van Beuningen, Rotterdam 1997

OKRAT JA RAUTAOKSIDIPIGMENTIT
1969 Riederer, J Infrarotspektrographische Untersuchung der gelben und roten Eisenoxidpigmente (Deutsche Farben-Zeitschrift 23, 1969)

ORPIMENTTI
1984 Wallert, A Orpiment und Realgar. Maltechnik-Restauro

PREUSSINSININEN
1984 Cordy, Ann & Yeh, Kwan-nan Blue dye identification on cellulosic fibers: indigo, logwood, and prussian blue (Journal of the American Institute for Consevation 1, 1984)
1988 Welsh, Frank S Particle characteristics of prussian blue in an historical oil paint (Journal of the American Institute for Conservation 2, 1988)

PUNAINEN LYIJY
1986 Fitzhugh, E W Red lead and minium. Kirjassa Feller, R: (ed) Artists' pigments: A handbook of their history and characteristics, vol. 1. National Gallery of Art, Washington, D C 1986

REALGAARI
1984 Wallert, A Orpiment und Realgar. Maltechnik-Restauro

SCHWEINFURTINVIHREä
1823 Von Liebig, Justus Sur une couleur verte (Annales de chimie XXIII)

SINOOPERI
1993 Gettens, R J & Fitzhugh, E W & Chase, W T Vermilion and Cinnabar [kirjassa Roy, A Artists' pigments: A handbook of their history and characteristics, vol. 2. National Gallery of Art, Washington D C 1993]

SMALTTI
1996 Binger, H Das Blaupigment Smalte (Restauro 1, 1996)

ULTRAMARIINI
1956 Identification of the materials of painting Ultramarine blue, natural and artificia (Studies in Conservation 2, 1956)
1966 Plesters, J Ultramarine, natural and artificial (Studies in Conservation 11, 1966)